Have you purchased so much artwork over the years that your walls are full? Are you interested in acquiring new artwork, but do not want to part with the pieces in your collection? One solution is to rotate your art to correspond with the changing seasons, and learn how to take care of and store pieces not currently on display.
As the daughter of artists with a pre-existing, and ever increasing art collection, my husband and I long ago ran out of wall space. We wondered what to do with each new piece we acquired. Then it occurred to us that we could enjoy our artwork more by storing some pieces, and then rotating in new work every three months.
Now, in the summer we hang paintings of lovely farms, koi-filled ponds and rushing rivers in our dining and living rooms.
In the fall we un-wrap and display acrylics featuring golden aspens, and then change the tablecloth and other accents around the house to fall colors. We clean, wrap and store the “summer themed” paintings until the next year. Each season we create a fresh look simply because we take some pieces out and introduce previously stored and new artwork. As an added benefit, by rotating our collection, we are able to dust each piece and then check the wall to see if natural or artificial light has caused the wall to discolor.
Below are a few tips to help you take care of your artwork as you rotate your collection:
By rotating your art with the changing seasons, you will be able to care for and appreciate more of your collection over the course of the year. Most importantly, you might find space for that next, new exciting art acquisition.
Image above is The Red Echo by Robert G. Stevens
Note: This article was originally published in The San Marino Tribune. Copyright is with the author.
WHY BUY ART?
By Margaret Danielak © 2017
Over the weekend I shared a glass of wine with one of my frequent art buyers, a woman with investments who not only has a passion for wine, but collecting contemporary traditional art. Her collection includes the work of some very well known western painters, as well as several of the artists I represent. The question “Why buy art?” came up in the conversation and made me think about why buying art, especially right now, is so important.
There are many reasons why people buy art. Some fall in love with the work and cannot imagine living one moment longer without it. In fact, my great joy as an art rep and alternative gallery owner is to bear witness to that moment when someone falls in love with a new work of art and commits to it.
Others buy fine art because it solves a design problem for them. The acquisition adds visual interest to their décor and enhances their living or working environment. Their art reflects their taste and personality and helps define who they are.
Mainly, art makes a house a home. When my father, the illustrator and landscape painter, Robert G. Stevens died, I was put in charge of cleaning out my parents’ home in Santa Fe. After packing up the contents, the very last things I removed were my father’s paintings. With everything else gone the house looked empty but was still their home until I took down his artwork. The effect was devastating. Their home became, in a single moment, just a house to be rented out. All the warmth and all of my father’s unique energy - 55 years of creating art and 78 years of living was gone.
So why buy art?
After all, we can’t eat it nor can we sit on it. The answer: Because now, more than ever, with all of the turbulence in the world, we need to surround ourselves with the unique warmth that only fine art can bring.
Marketing art with social media and on handheld devices was unheard of when I wrote A Gallery without Walls (ArtNetwork Press 2005), an artist handbook about selling art in alternative venues. A few weeks after the book's publication, I heard stories about artists who were loading their artwork onto MySpace and showing art on their laptops. At the time, I was intrigued but not convinced that the "social media thing" on smaller computers would make an impact marketing art. (Was I wrong!)
Since then, connecting with clients utilizing social media and showing artwork on handheld devices has revolutionized the way we work in the art business. Now artists and dealers are routinely using social media sites like Instagram, Facebook, Pinterest and Twitter to connect with each other and the art buying public. In addition, they are creating content on IPhones and IPads to promote their art and make sales.
To illustrate, eight years ago I gave a talk on art marketing and during the break one of the artists in attendance, figurative painter Julie Snyder, showed me her entire portfolio on her Smart Phone. I had never before seen an artist use a Smart Phone to promote their work. Julie was able to enlarge certain images so I could see fine detail. I could see that she was a terrific painter and asked to visit her studio. I signed her shortly thereafter.
SOCIAL MEDIA AND HARDWARE - WHAT DO I USE?
Currently I prefer to show artwork on my IPad. Most of my clients are over 40 and have over-40 eyesight. It is therefore easier for them to see the images by showing them artwork on my IPad as opposed to my IPhone. Specifically, I have shown art to clients on the IPad (think portable gallery) which I then sold utilizing Square. I also create short movies with I Movie featuring art and artists. Last year I created a short personalized IMovie featuring artist Marian Fortunati talking about one of her lovely landscapes. I embedded the movie into an email that I sent to one of her collectors who then bought the piece.
With respect to social media, I use Facebook to promote all of my art exhibitions. For each new exhibition I curate, I create a link on the first page of my website that directs potential buyers to a specific gallery page on Facebook. I keep track of a lot of inventory this way, and don't have to pay my webmaster to update my website every time I want to add content. The Facebook gallery has each image loaded with the artist's name, size, title and price. I send those images around the web, directing people to the gallery online. When a piece sells, I congratulate the artist by posting the image with the word "SOLD!" on their Facebook page. This process informs the artist's fans about our art sale and often leads to other sales.
KEEPING UP - WHAT SHOULD ARTISTS DO?
Marketing art via social media and with handheld devices has revolutionized the pace of marketing art and artists who do not understand this are at a disadvantage. Eleven years ago, it took some time to send clients images - to send a postcard or embed images into emails. Now it takes seconds as artists and dealers are making every piece of their marketing social. What does this mean? It means that links to social media outlets and their icons are embedded into artists' blogs, newsletters, and websites to make it fast and easy to hop from one social media outlet to another. Artists now expect that by utilizing social media they will add to their contacts and fan base by making their marketing both integrated and social, and that the positive comments posted onto their social sites will lead to greater exposure and sales. (To a large extent, they are correct.)
I am still a firm believer in follow-up, however, and do not rely on social media only. I have a regular schedule of daily, weekly and monthly activities (newsletter) to keep the work I represent in front of the art buying public. Mainly, I keep up with my mailing list. I believe that artists and dealers who connect to those who visit their sites, nurture their mailing list and contact collectors regularly through a variety of outlets will be successful.
I also highly recommend to all artists that they invest in an IPad (tablet) and/or IPhone in order to show artwork to potential collectors any time, any place and anywhere.
"I'll Wear the Red One" by Julie Snyder
Sold via Facebook
"Point Lobos Poetry" by Marian Fortunati
Sold because of IMovie Interview embeded into an email.
Margaret Danielak is the owner of Danielak Fine Art and the author of "A Gallery without Walls: Selling Art in Alternative Venues" (ArtNetwork Press) which was a featured selection of North Light Book Club.